Category — News

Rare informal photos of Irene Rice Pereira, Provincetown, MA, 1935, and her younger sister, Dorothy, Brooklyn, 1935; Pereira visited North Africa the same year. The painting in the background was made by her that same year. The photo seems to have been tampered with. Her nephew, Djelloul Marbrook, remarks that he has never before seen such a relaxed and joyful image of the artist. He recently discovered these photos in his attic.

This essay from the Neuberger Collection explores Pereira’s critique of abstract expressionism, which turned some of the leading critics of her era against her.

The D. Wigmore Gallery in Manhattan has just mounted a small, highly focused and penetrating examination of Pereira’s works on glass and later oil paintings that reflect the evolution of her metaphysics.

Here you will find a revealing encounter at the Whitney Museum with the role of women in abstraction. The Whitney steadfastly championed Pereira and other women when the New York art scene was notoriously misogynistic. Pereira’s first major retrospective was held at the old Whitney Museum on 8th Street in Greenwich Village in 1953.

Irene Rice Pereira made many renowned paintings in her life. To see a concise display of her paintings and where they are exhibited, click HERE.

By Djelloul Marbrook

This early (1939) geometric abstraction in the collection of the Metropolitan Museum in Manhattan was executed on the eve of her breakthrough to painting on layers of fluted glass. Her second husband, George Wellington Brown, a naval architect, was influential in interesting her in new materials. See other Pereiras at the Metropolitan Museum on the Gallery page.

By Djelloul Marbrook

Irene Rice Pereira’s masterpiece, Shooting Stars, is hanging in the Lila Acheson Wallace Wing of The Metropolitan Museum. In the same gallery are works by Jean Arp, Roberto Matta and Pablo Picasso. The installation of this magnificent oil on glass constitutes a restoration of Pereira to the pantheon and a victory for feminists. See other Pereiras at the Metropolitan Museum on the Gallery page.

By Djelloul Marbrook

This Smithsonian article and its links are well worth studying. They address Irene Rice Pereira’s absorption in the Bauhaus and her pioneering development of the influential WPA Design Laboratory. The Smithsonian’s Frost Collection includes a large number of Pereiras from that period. Her artist sister, Juanita Guccione, also worked for the WPA. See other Pereiras at the Smithsonian Museum of American Art on the Gallery page.

A sweeping 2017 survey of non-objective art at Leila Heller Gallery included Irene Rice Pereira’s Seven Red Squares, and rarely seen masterpieces by Hilla Rebay, Rudolf Bauer, Wassily Kandinsky, László Moholy-Nagy, Charles Green Shaw, Rolph Scarlett, Penrod Centurion, Irene Rice Pereira, Raymond Jonson, John Ferren, John Sennhauser, Albert Gleizes, Lloyd Ney, Ilya Bolotowsky, Fernand Léger, Alice Trumbull Mason, and Alice Mattern, with works portraying the rise and development of non-objective painting, spanning from 1912 to 1951. Pereira was one of Rebay’s early protégés.